Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC properties ...

Here comes "The Bride!", Maggie Gyllenhaal's extremely messy, extremely inventive film that dares you to try to neatly fit it into one genre. It's a sort-of-musical, meta-sequel-reboot, comedy, love ...